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Mobile After School Arts
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Program overview

Five weeks on your campus. Three disciplines. Three finished works.

Mobile After School Arts brings a working glass studio to one high school and stays five weeks — long enough to teach roughly 75 students at no cost to them or to the school, and to send every one of them home with three pieces they made themselves. Five weeks at each of eight campuses is our whole year. This page is that program in full: who it is for, how a week runs, what we bring, what we ask of the school, and how we and you will judge together whether it worked.

Program overview September 2026 · Mobile After School Arts Inc, a California nonprofit public benefit corporation

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Glowing orange glass on a blowpipe beside a furnace
Fire & form · AI concept

( 01 ) Purpose

Bring the studio to the students who can't reach one.

A teal glass wave and orange glass orb casting colorful shadows
Fire meets sea glass · AI concept

Mobile After School Arts Inc. is a California nonprofit public benefit corporation building a tuition-free mobile glass-arts program for high school students. We partner with schools and educational institutions to bring specialized, hands-on glass instruction directly to students who would otherwise have little or no access to it.

The five-week program is designed to demonstrate four things at once — educational value, student engagement, operational feasibility, and safe, professionally supervised instruction — while giving every student the chance to design and make finished work of their own.

It is a single annual program, not a menu. Five weeks at each of eight campuses adds up to forty weeks on the road and roughly 600 students a year. MASA raises the funds the program runs on: there is no cost to the student and no program or staffing cost to the host school.

( 02 ) Who the program is for

The students who would never otherwise get this.

A bright art classroom with glass materials arranged at workstations
A space for creativity · AI concept

A central MASA priority is reaching young people who would not otherwise have access to specialized glass-arts opportunities. We do not decide who those students are from the outside. Identifying and enrolling them is developed in partnership with the host school, because school personnel know their students and know what they need.

The intent is plain: expand access — particularly for young people who have had little opportunity to experience hands-on glassmaking.

( 03 ) How the five weeks run

One cohort a week.
Three days, three disciplines.

The mobile program stays at one host school for five weeks and is designed to serve approximately 75 students during that deployment. Classes run after school, consistently on Tuesday, Wednesday and Thursday. Each week, one cohort of about 15 students attends all three days, and each day introduces that cohort to one of MASA's three glass disciplines. The host school sets the start time and the class length — a minimum of two hours and a maximum of three — around its own schedule and transportation.

  1. Glassmaking tools and teal glass vessels on a steel workbench
    Tools of the craft · AI concept

    Tuesday

    Glassblowing

    Safety instruction, tools and materials, instructor demonstration, guided hands-on making — and an individual work that belongs to the student who made it. Glassblowing is a standard component of MASA, running at campuses that meet our site, utility, safety, insurance and institutional requirements.

  2. Teal, orange and cobalt fused-glass pendants on a pale work surface
    Fused-glass possibilities · AI concept

    Wednesday

    Fused glass & jewelry

    Safety instruction, design, cutting and assembly technique, and the student's own finished fused-glass or jewelry piece.

  3. An orange and teal glass mosaic sunburst with tiles and nippers
    A mosaic taking shape · AI concept

    Thursday

    Mosaic

    Safety instruction, design and mosaic technique, and an individual mosaic work carried through from idea to finished object.

A new cohort every Tuesday

  1. Week 115 students
  2. Week 215 students
  3. Week 315 students
  4. Week 415 students
  5. Week 515 students

Over five weeks, approximately 75 students complete the core MASA experience — and every one of them leaves with three finished works of their own. Five weeks at each of eight campuses is MASA's full year: forty weeks on the road, roughly 600 students.

( 04 ) Three disciplines, three finished works

The student is the maker.

Bowls of orange, teal, cobalt and clear glass frit
A world of color · AI concept

MASA instructors provide the knowledge, the demonstrations, the equipment, the supervision and the hands-on assistance. What they do not provide is the idea. Students transform their own ideas into finished objects — safely, and with help, but as the maker.

— how we teach

Each discipline uses distinctly different materials, tools, processes and forms of creative problem-solving. The three-work structure gives every student a broad introduction to glass as a creative material, while leaving enough room for individual ideas and choices to show in the finished object.

Students who develop a particular interest in one of the three disciplines may request additional instructional time during MASA's five-week stay — subject to available space, scheduling and instructional capacity.

( 05 ) The instructional experience

Every day, the same shape.

James Stone wearing a black hat and embroidered jacket
James Stone · founder & master glass artist
  1. 1Activity-specific safety practice
  2. 2Introduction to the materials and tools
  3. 3Instructor demonstration
  4. 4Guided hands-on making
  5. 5The student's own design decisions
  6. 6A completed work

Eight MASA adults for fifteen students

  • 3instructors
  • 3assistants
  • 1full-time technical & operations lead
  • 1+administrator

MASA provides and pays all of them. There is no staffing cost to the host school.

MASA develops and maintains its own curriculum and instructional model, and works with each host institution to align the program — where it makes sense — with school priorities, College and Career Readiness goals, and what the students actually need.

At the end of each instructional day, students may complete a brief exit ticket about their experience. Student voice is an important part of evaluating the program, and part of how we stay honest about the mission.

( 06 ) Anticipated student outcomes

More than exposure to glassmaking.

A simple glass tile, blue bowl and orange pendant on a studio table
Project possibilities · AI concept

Educational outcome and assessment language can be refined in collaboration with educators — we would rather write that part with you than hand it to you — while preserving MASA's core instructional model.

( 07 ) The culminating student exhibition

The work goes up —
then it goes home.

Colorful glass vessels displayed on white gallery plinths
Exhibition inspiration · AI concept

At the conclusion of the five-week deployment, MASA and the host school present a student exhibition of the work created during the program. It gives students the chance to see their own work shown publicly, and to share what they made with families, school personnel and the community.

MASA helps organise and coordinate the exhibition. The host school determines the timing and location and provides the display arrangements.

Students own and keep everything they make. Any work held back for the exhibition is returned to the student afterwards — the three pieces go home with the person who made them.

( 08 ) Who brings what

What we bring, and what we ask of you.

The final division of responsibilities is developed collaboratively with each host — school, district, charter organization or other educational institution. This is the starting point, not a contract.

Portable cases organized with glass tiles, tools and safety glasses
Creativity on the move · AI concept

MASA provides

  • The mobile instructional facility and specialized glassworking equipment
  • Curriculum and instructional planning for glassblowing, fused glass/jewelry and mosaic
  • Three instructors, three assistants, a full-time technical and operations lead and at least one administrator for each cohort of fifteen — provided and paid by MASA
  • The consumable materials every student project requires
  • Operating, setup, shutdown and safety procedures for MASA equipment
  • Help organising and coordinating the culminating student exhibition
  • Coordination with the host on insurance, fire/life safety, legal and operational requirements

The host institution provides

  • A secure, lockable outdoor hot-work area of roughly 200 sq ft or more
  • An indoor classroom or workspace that seats all fifteen students — ground-floor or elevator access preferred
  • Dedicated electrical service to both areas (full specifications are in our Host Site Requirements package)
  • Assistance identifying and enrolling students — with particular attention to those who otherwise would not get this kind of arts experience
  • Any institution-required supervision or staffing, if needed
  • Coordination of site access, security, scheduling and facilities requirements
  • Participation in fire/life-safety, insurance, risk-management and other institutional approvals
  • The timing, location and display arrangements for the student exhibition
  • Participation in evaluating the deployment and deciding whether the model should continue or expand

( 09 ) Safety & institutional readiness

Part of the design, not an afterthought.

Safety glasses, an apron and protective gloves on a studio workbench
Prepared to create · AI concept

MASA treats safety and institutional approval as part of the program design. Before a deployment, we work with the host institution and — as appropriate — insurance professionals, fire/life-safety advisers and legal counsel to address the things that actually have to be settled before the furnace is lit:

The full facilities, utility, fuel, security and clearance specifications live in our Host Site Requirements package rather than on this page — tell us what your district requires and we will put all of it in front of you for review before anything is scheduled. More on how we work with schools →

( 10 ) Evaluation & proof of concept

A proof of concept we judge together.

Each five-week deployment is an opportunity to evaluate the mobile delivery model in a real school environment — and to decide, with evidence, what happens next.

Geometric mosaic sketches beside pencils and colored glass samples
From idea to design · AI concept

Did the students respond?

How students experienced the program, in their own words, from the first exit ticket to the last.

Did they learn something?

Whether the instructional model produces meaningful engagement and real learning, rather than a pleasant afternoon.

Did the machinery hold?

Whether the schedule, facilities, staffing and safety systems worked effectively in a live school environment.

Should it happen again?

Whether the program is suitable for continuation at your school, or replication at others.

The goal is a jointly evaluated proof of concept and a sustainable path to expanded access — not simply a one-time arts activity.

15 students · 3 days · 2–3 hours a day, after school · 3 glass disciplines · 3 student-made works · 8 MASA adults · 5 weeks · approximately 75 students · 8 schools a year · no cost to the student or the school

Teal and orange handblown-style glasses beside a sunlit window
Let’s make something happen · AI concept

Next step

Five weeks.
Shall we talk?

If you are a principal, a district administrator, a charter leader or an arts-and-expanded-learning coordinator and this looks like something your students should have — tell us about your campus and we will take it from there.

contact@mobileafterschoolarts.org